"GLASHEEN DRAWS CANDY FOR THE EYE, AND EVEN FOR THE BRAIN. HER PAGES ARE NEVER LAID OUT IN ANY COMMON WAYS, AND YET THEY'RE INTUITIVE TO FOLLOW, LIKE THE FLOW OF WATER DOWN A MOUNTAINSIDE. HER WATERCOLORS ARE AS UNIQUE AND INCOMPARABLE AS THE REST, AND NO LESS APPEALING."

-DAVE BAXTER. BROKEN FRONTIER

"IF ONLY THERE WERE SPACE ENOUGH AND TIME TO INDIVIDUALLY MENTION EVERY PIECE IN THESE 576 PAGES. I FEEL LIKE I MUST MENTION... KATE GLASHEEN'S TEN FULL-PAGE PAINTINGS FOR WILLIAM FAULKNER'S RARELY READ SECOND STORY..."

-RUSS KICK, PUBLISHER'S WEEKLY

"KATE GLASHEEN PULLS OUT ALL THE STOPS FOR A
STAGGERING INTERPRETATION OF WILLIAM FAULKNER'S
LOST SHORT STORY 'THE HILL'."

-WIN WIACEK, NOW READ THIS

"I READ 'BANDAGE' THREE TIMES IN QUICK SUCCESSION -- NOT BECAUSE I FELT IT NECCESSARY, BUT BECAUSE I WANTED TO."

-CASEY BURCHBY, SAN FRANCISCO WEEKLY

"GLASHEEN'S ART, PAINTED WORK WHICH IS A STRANGE HYBRID IN AND OF ITSELF, LIKE A CROSS BETWEEN KEITH GIFFEN, BILL SIENKIEWICZ, AND DAVE CROSLAND, RESULTS IN PERFECTLY ABSURD CREATIONS."

-RANDY LANDER, COMIC PANTS

"BANDAGE IS A NON-TRADITIONAL MASTERPIECE. MARINADE IN A FEW READINGS BEFORE TRYING TO PARSE. FLAVOR TO TASTE."

-ALEX JARVIS, SPANDEXLESS

"KATE GLASHEEN'S WORDLESS TAKE ON MARGERY WILLIAMS' 'THE VELVETEEN RABBIT' COMES IN SOFT, VARIOUSLY SIZED AND CONFIGURED PANELS THAT EXPRESS BOTH INNOCENCE AND SURREALISM."

-BILL KOHLHAASE, SANTA FE NEW MEXICAN

"MAKE NO MISTAKE THAT 'HYBRID BASTARDS!' IS A BEAUTIFUL BOOK TO LOOK AT, BOTH BECAUSE OF THE ILLUSTRATIONS AND THE COLORING OF ARTIST KATE GLASHEEN."

-STEVEN SURMAN, STEVEN SURMAN WRITES